Prose

Time Is Dancing

hold it in

now let’s go dancing

I do believe

we’re only passing through

Ben HowardTime Is Dancing

THAT summer we were in the ED together. Patients poured in until every room, every wall, every hallway was packed. But it was good. We worked hard through the hot days, ministering to the masses, until every cough, every fever, every errant heartbeat was beaten into submission. We were young; we thought we could cure the world. And, often, we did. It was that kind of summer.

There were more of us there, of course, but, for me, there was only her. After work, she’d invite me back to her place, just a couple of floors down from mine. We were poor residents, living in the broken mid-century monstrosity across from the hospital in Uptown. We wouldn’t even change, just sprawl onto her IKEA couch in our filthy scrubs, nursing our battered bodies on each other. We never kissed; it was more intimate than that. We held each other, softly, fiercely, breathing in sweat and last night’s shampoo and shards of our souls. Or whatever was left of them after a year of emergency medicine. We watched movies together, too. Shitty ones. Always horror flicks, somehow. Arms wrapped around every inch of skin, hungry for something soft and warm after the beating we’d taken in the ED. Once, during a jump-scare, she gasped, and bit into my arm. But we never talked about it afterwards. Not to each other, or to anyone else.

We were friends — good ones, even — laughing at our own insular jokes, catching each other’s eye and, always, always, finding reasons to brush, caress, stroke any inch of skin. She was small and soft and smelt of spices I’d never heard of. When she grasped my forearm, her tiny fingers with their painted nails looked absurdly small, absurdly adorable. She’d always dig in, just a bit; never too hard, but hard enough that, later, I’d remember she’d been there.

The hospital was near Lake Michigan, on Lakeshore Drive. I could see the lake from my window. The hospital, too. And, of course, the crumbling detritus of Uptown. The first time I’d walked in, seeing all those city lights sprawled out across the night sky, it’d taken my breath away. And it still did. Sometimes, because we were poor residents, they’d make us do twenty-four hour shifts, trying to squeeze as much labor out of our young bodies as they could. When she had one of those, I’d sit on the ledge by the window before turning in for the night, breathing in all of it: the lake breeze, the endless, darkling waters, and the flashing lights of yet another ambulance on its way to the ED.

Whenever I was at her place, we’d eat with one spoon, taking turns to feed each other a bite of buttered rice, or vanilla ice cream, wiping the excess from the corners of each other’s lips. What the hell were we doing? It was beautiful, in a way. After caring for so many patients, I guess, we just needed someone to care for us. I’d only eat halal so she’d bring up a plate of whitefish from the cafeteria, making sure I had something for sustenance. It was strange, really, watching our sense of self enlarge, ever so slightly, to envelope each other until it was second nature. She’d always leave little hearts on the sign-out for me, right next to my name. Two of them: one larger than the other. Was it an echo, or an affirmation? All I know is that I’d look down at those scribbles on long shifts and feel the stirrings of something I thought was lost long ago.

One night, she held her hands out to me, shyly, and asked me to paint them. I did; a thick, pink coat first, then — once it dried — a second, shiny lacquer. They sparkled where they caught the light from the lamp by the open window. She had an old guitar — a hand-me-down acoustic — and I dusted it off and tuned it and played it late into the night; sometimes badly, but, sometimes, the stars aligned in the room and out across the dark Midwestern sky where the aurora danced with no one to watch them and all I could do was lay back with my head in her lap, the heat from her browned thighs burning, burning bright.

In a couple of years we’ll be done with residency and tossed across the vast expanse of America like a handful of seeds from the pockets of a dilettante farmer. What‘ll be left, then, of these long days and longer nights? Memories, their edges softened and sepia-ed by time, glitter in the starlight. I’ll leave you with one:

Soon after a large lightning storm passed on, out over the lake, you called. Let’s go for a walk, you said. Wear something nice, you said. We walked down to Montrose Harbor, arm in arm, and sat on the rocks, feet dangling in the water, watching the birds and the boats come home for the night. On our way back, past the thick woods, I asked if you’d ever seen a firefly. You looked up at me and shook your long, dark hair; no, never. I held your bare, sun-kissed shoulders and spun you around to the deep woods. Look, there. Just pick a spot; don’t try too hard. And you did. That night, jaan, you saw the fireflies. I saw you.

Summer begins in Chicago, IL (2022)

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Prose

Monsoons

for Papa — the paterfamilias

one by one

the old guard

passes on

and

oceans away

we grow old, too.

LONG before my grandfather was my grandfather, he was a boy who went to a large, colonial boarding school in the foothills of the Himalayas. At dawn, they would all wake, bleary-eyed, and run a couple of miles before showering and heading to the mess for breakfast. There were three kinds of meals prepared each morning — English, halal, and vegetarian — for the three kinds of students. When summer arrived, he would often go to stay at one friend’s or another’s, following a patchwork of brotherhood that stretched across India, linked by the efficient trains of the Raj and schoolyard camaraderie. But, sometimes, he would come home, and then he would spend his days bicycling through the streets of Bombay; through sheets of monsoon rain; through Partition itself; until time caught up to him.

Now he walks in the neighbourhood park in the late Karachi afternoons with the other old men until the sun sets.

But, sometimes, in his dreams, he is a boy again and it is warm and bright again and his mother is still in the kitchen, humming as she cooks, and he hears a shout from outside and he grabs his bike and runs out to meet the other kids and together they cycle through their beloved Bombay once more, a city that, finally, lives on in them, lives on until the very last one remembers it for the very last time.

***

This morning on the news they said the monsoons will begin soon.

Photograph by Shanzeh Najam.

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Prose

Melancholy Tastes the Same in Italy and Other Stories

“A sad story, don’t you think?”
Haruki Murakami, On Seeing the 100% Perfect Girl One Beautiful April Morning

1.

I thought all the kids did it. Whenever it got too much, you’d just take it all, unspooled as it was, and pick a song. (Any song.) You’d listen to that song again and again and again, until the feeling was the song and the song the feeling. And… then you didn’t have to worry about it ever again. It worked really well — it still does. The only problem is that now I’m old enough to forget things. And sometimes I’ll play a song that’s vaguely familiar and, before I know it, all those threads that I’ve carefully stashed into it will come flying out. And high up on Mount Olympus, Ariadne can’t stop giggling. 


2.

I remember the softness of her naked feet on the cold, clean tiles. 


3.

At dusk, bright billboards of you across Lahore pursue me home.


4.

Even the smallest Dairy Milk is purple. Once, purple was worth its weight in gold. The Phoenicians would crack open hundreds of thousands of Mediterranean sea snails to make an ounce of Tyrian purple. Imagine that. Imagine the audacity of trying to overwhelm her with quantity, to stretch my hands out “thiiiiiiis much”, “to the moon and back”, “infinity times infinity”, but I can’t say all that, of course, so I do the best I can and save up for weeks and weeks and buy as many of the small, purple bars of Dairy Milk that I can. And when I turn the large backpack upside down before her, I can see the concern for my sanity in her eyes. Believe me, this is the best that I can do to show you how much. Forgive the quality of the chocolate. Once, purple was worth its weight in gold. I stand before you, hoping that the quantity is enough for you to extrapolate the quality. You were always good at math. 


5.

The indolent Sunday afternoons of my childhood are estranged from me. Lost in time. They seemed so endless back then. Will I ever get them back? Or, if I do, will it simply lead to a relocation of those longings to another horizon, still further back. I dream of horizons of yearning, each gazing at the other, a succession of infinite funhouse mirrors in a Barnum and Bailey multiverse. “But it wouldn’t be make-believe / if you believed / in me.” 


6.

A final memory. Another birthday party. She is not coming. So I talk to an old friend. An animated conversation about politics — the usual. When, suddenly. Small, soft palms cover my eyes. The heart-note of a perfume I can always pick out, no matter how crowded the school’s corridor. A voice breathes in my ear. Guess who? And I can not breathe. For I know that this moment will forever be a barometer for my happiness, a high-water mark left on the levees of my heart.


7.

And now here I am, on the last train home. And I do not know what to make of that.


we were running through the autumn leaves /
a couple kids just wearing out our jeans…

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Poetry

Arcadia

Just for this evening, let’s not mock them.

At least they had ideas about love.

Mary Szybist, The Troubadours Etc.

heavy New England sunlight floods your apartment.

in the mornings after, your bed is too small for us both.

the only music — faint — from your old phone in the shower.

it’s always Sunday, somewhere.

contrails fade into clear, blue sky.

the porches of the nation creak beneath

bluejeans and familiar conversation.

faded pastel flags above the strip

mall flutter in the breeze.

and somehow I am in a scratchy grey sweater

a schoolboy in a long forgotten —

now urgently familiar — corridor.

it is winter yet I am not cold.

something burns within me:

it is the thought of meeting you.

but every step is time, time, time.

Heraclitus’ curse.

decades pass.

I grow estranged from my self.

the music grows louder.

the bathroom door opens.

what’s wrong?

you ask

why on earth are you shivering?

The Cloisters, Fort Tryon

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Poetry

Celestial Mechanics

What potions have I drunk of Siren tears?

Shakespeare, Sonnet CXIX

Two thousand years ago, Ptolemy

traced the vagaries of the stars

and was left immortal for that

and I, too, yearn for the taste

of ambrosia. So here I lie, on

moonless nights, writing my

own Almagest, as I trace the

constellations formed by the

stardust of your nevi.

Howard Pyle, “The Mermaid” (1910)

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Poetry

Giants

do you remember the tiny

balcony with the single,

swaying bulb? of

course, she said.

the cheap wine,

the red paper

cups.

how every Fourth of July

I leant there against the

gunwales of your heart,

watching the fireworks

flash in your

eyes.

yes, we lived like

giants, she

said.

P.S. If you look out the window, you might see a train travelling to tomorrow. 

P.P.S. time, she says, / “there’s no turning back, / keep your eyes on the tracks” / through the fields, somewhere there’s blue / oh, time will tell, she’ll see us through

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Poetry

Summer Begins in Whitestone, New York

(a haiku)

summer rains, stars rise —
taking the long way home I
am mugged by fireflies

Image result for primitive radio gods

and if I die before I learn to speak / can money pay for all the days I lived awake / but half asleep?

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Poetry

Camelot

Every love story is a ghost story.

David Foster Wallace

in a flyover state where

the trains do not stop

but chug on toward the

hills, a quiet chord drifts

out over the darkling

plains and is lost for ever

to the wind and rain and

perhaps we are only

this: ghosts before our

time burning through

books burning through

women burning through

ourselves hoping to find

Camelot.

oceans away — a place

where nobody speaks the

language of the heartland

— you wait for the Q44 to

take you home. lights

alight. church bells toll

the hour. tonight the

street is empty and the

night is empty and the

moon will not rise and

there will be no stars to

guide you home. only the

dumpster fires rage on,

filled with the debris of

yesterday.

I got this window that looks out to Orion / I paid extra for

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Poetry

Icarus

It’s only ghosts here in the winter.

BoJack Horseman

When you’re in love all this

“life” stuff feels like a play —

a game; a dream. And when

you’re not, it’s not. That’s just

how it works. Nights like these

I feel like I’ve forgotten how to

dream. I used to dream of flying.

I miss the wind in my hair, the

sun on my face. But most of

all, I miss your sighs; how the

longing in them would rise up —

up through the zephyrs and comets —

dissolving into stardust that just

might, with a bit of luck, power

the universe for an-

other heart-

beat.

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